What It Takes: What I Mean by Love Story

Audiobook-Logo-White-2-No-B“In Chretien’s popular story, Lancelot, The Knight of the Cart, the pivotal love story notion of a “proof of love” comes to the fore. And that proof of love element proved so cathartic for his audience that it became the must-have for every love story that followed…” – Shawn Coyne, What I Mean by Love Story

In Part 2 of his 6 part guest post series on stevenpressfield.com, Shawn Coyne looks back to the 12th century and the original Arthurian literary innovation as the genesis of the obligatory “proof of love” scene in any Love Story.

As an audiobook producer/narrator I’ve begun utilizing the concepts in Shawn’s book, The Story Grid, to analyze the novels I narrate before recording them. My first application of this method is in production now. As I post this article, I’ve just completed recording Chapter 4 of Vacation by JC Miller. So yes, it’s very early to be evaluating the effectiveness of my new pre-production approach. Will it make a difference in the finished product? Will it enhance the listener’s engagement and enjoyment of the Story?

So far, I’m finding that, because I have an intimate relationship with the Story as a result of my analysis, I am much more confident in my interpretation and delivery.

For example, knowing that I’m in the “inciting incident” scene evokes a sense of drama appropriate for the event that makes the story start. It affects my oral dynamics, tone, pace, inflection, intensity. I know it’s an obligatory scene for the genre and I know specifically how that obligatory scene serves the Story. So my focus is on ensuring that the scene functions as such and serves the Story in that critical capacity. My goal is for the Story to enthrall the listener so that time is suspended as the Story fires the imagination.

Vacation is set for a summer 2017 release. Here is a preview clip from a scene shortly following the inciting incident, where William, our protagonist, worn down by grief and loneliness, has made his first mistake ever in the lab, and co-workers convince him to take his first vacation in 10 years.

I will continue posting short clips as I move through production.

Source: What It Takes: What I Mean by Love Story

In Production | Vacation by JC Miller

vacation-cover2This week I began audiobook production for Vacation [Sneak Preview], JC Miller’s charming “tale of love and loss and real friendship, artfully told. JC Miller is keenly observant not of the sensational but of the quotidian, the fleeting thoughts and sensations that overtake us when we think we’re strolling in a meadow or preparing a meal; the subtle inflections of the heart as it speaks to us. You will know her characters intimately and you can’t help but feel with them.” – Daniel Coshnear, author of Occupy & Other Love Stories, winner of the 2000 Willa Cather Fiction Prize

Set in the gentle hills and stone villages of the Cotswolds of England and in the atmospheric Pacific Northwest, a vacation walking tour of pastoral England sparks an attraction between an introverted scientist and a wounded and independent history professor.

Vacation is set for a Summer 2017 release. Listen to a Free Preview Clip from this week’s recording session.

 

What It Takes: Why Love Rules

Audiobook-Logo-White-2-No-B“Was there some fundamental want or need that human beings desired or required to survive a hostile environment? And could that want or need be fulfilled by simply following the behavioral prescriptions inherent in a compelling story?” – Shawn Coyne, Why Love Rules

Source: What It Takes: Why Love Rules

In the first of six guest posts about Love Story in Steven Pressfield’s blog series, What It Takes on stevenpressfield.com, Shawn Coyne introduces the use of genre as the lens through which to view the writer’s craft of Storytelling. His method is both enlightening and accessible, a powerful tool to guide any writer, editor or, in my case, audiobook narrator in delivering compelling Stories, Stories that “work.”

The building blocks that make Story work vary from genre to genre.

Shawn Coyne is an editor, literary agent, co-writer, and ghostwriter with twenty-five years experience, including the Big Five publishing houses, independent publishing, and Hollywood.

In this series of guest posts, he examines the craft of telling Love Story from the primordial ooze of human emotional need to the themes, conventions, and obligatory scenes that define the Love Story genre, make us feel its special magic, and keeps us coming back for more. This is not simply a breakdown of the modern Romance novel, but rather a close examination of the functional elements of any Story that “concerns romantic love, which is love with the possibility of sex.” That is Love Story and its three sub-genres, Obsession, Courtship, and Marriage.

Shawn Coyne’s book, The Story Grid, is his contribution to the editing craft, for which there is no course of study, no degree, no training ground beyond apprenticeship. In it, he shares his deep knowledge of the building blocks of Story and how to break a Story down into all of the functional elements that make it “work”.

As an audiobook narrator, I have begun using The Story Grid to analyze the Story before recording it. This helps give me a more intimate connection to the Story and an awareness of how the author uses their building blocks to construct the Story and convey its controlling idea (theme). I want to understand how and why the author’s execution of the building blocks makes their Story work. My goal is to tell the Story that the author intended for the reader to the listener, to faithfully tell the story that was written for the eye in a way that is most satisfying for the ear.

What Are Love Stories For? By Shawn Coyne

What I Mean by Love Story By Shawn Coyne

Love Story Cheat Sheet / Controlling Idea By Shawn Coyne

Love Story Cheat Sheet / Obligatory Scenes By Shawn Coyne

Love Story Cheat Sheet / Conventions By Shawn Coyne

Wrapping up Pre-production for Vacation by JC Miller

vacation-cover1I am excited to be approaching the final phase of a new pre-production process for my next audiobook. Vacation by JC Miller is a charming love story with an inventive redemption mini-plot. It will be about a seven-hour listen. Set in the gentle hills and stone villages of the Cotswolds of England and in the atmospheric Pacific Northwest, a vacation walking tour of pastoral England sparks an attraction between an introverted scientist and a wounded and independent history professor. Complications ensue of course.

This will be my eighth audiobook, self-produced in my home studio, a closet gutted and then treated for voice recording. One reason for this blog is to document the development of my craft. This post represents a new development in my process that I hope will enhance my storytelling and hence the listener’s audio experience.

I want to be a spell-binding storyteller. There I said it. It’s my goal. Nothing wrong with having a goal. And am I? A spell-binding storyteller? I don’t think so. At least not yet. But the glimpses I have are encouraging and fulfilling. And I do have an AudioFile Earphones Award to my credit now, so maybe I’m on the right path. The challenge is to keep moving on that path and turn those glimpses into an unbroken flow of compelling oral storytelling, and that is what my process is about. Some may say, “Just read the damn thing.” Sorry, I can’t. So, here’s what I have to do.

In my search to hone my craft I stumbled across The Story Grid by Shawn Coyne. Shawn is an editor, literary agent, co-writer, and ghostwriter with twenty-five years experience including the Big Five publishing houses, independent publishing, and Hollywood. He’s also a business partner of one of my favorite authors, Stephen Pressfield (The Legend of Bagger Vance, Gates of Fire, The Lion’s Gate, The War of Art) who also writes a lot about writing. The Story Grid is Shawn’s contribution to the editing craft, for which there is no course of study, no degree, no training ground beyond apprenticeship. In it, he shares his deep knowledge of the building blocks of Story and how to break a Story down into all of the functional pieces that make that Story “work”.

What does that have to do with producing and narrating audiobooks?

The more I work with Story, the more I find myself needing to think like a writer. I find that when I spend time with an author’s work and come to know the Story intimately, then much of my work as a producer/narrator is done. Tone, pacing, emotional content, breathing, subtext, I don’t have to think about these. They are there because I’m so intimate with the Story. If I fall in love with the Story, the telling is easy, and will hopefully capture the imagination of the listener in a way that silent reading does not. And that’s why I love the oral tradition. Great writing is great writing either way, but for me, a spell-binding storyteller is the bomb. Analyzing the Story and defining the building blocks, such as the concept of the novel, the theme, the stakes, the narrative device, inciting incident, climax, beats, the obligatory scenes of the genre. How is the climax imbedded in the inciting incident? Does a scene turn on revelation, or character action? It all helps me fall in love with the Story. I guess we’ll see, huh?

Production starts March 11, 2017.

 

Words on the page to Sounds in the air

Audiobook-Logo-White-2-No-BSuch a strong testimonial for the oral tradition. It’s not lost. Humans still have the urge to tell the story.

Silent reading is okay too.

Thank you, Little Red Reviewer.

the Little Red Reviewer

Remember when you were a kid, and someone read you a story? Didn’t matter if you liked the story or not, but I bet you enjoyed being read to.

If you’re a parent, I’m sure you read or have read to your kids.  Didn’t matter if you liked the story, but I bet you enjoy the experience of reading to someone.

Ever notice how the feel of the story changes when you read it out loud? When you’re reading out loud, you can control the pace of the words, where the pauses between phrases are,  you can use inflection how and when you want. The words on the page take on entirely new dimensions when they become sounds in the air, and if you are one doing the reading, you can connect with those words in an entirely new way.

I picked up an anthology the other day, and flipped…

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Audiobook: Taking On Water by David Rawding (Narrated by Curt Simmons) | Brian’s Book Blog

“Wow, I don’t like to start off a review with an interjection unless I really mean it, but seriously this book grabbed me by my haunches and threw me overboard.  James and Maya were so incredibly likable and relatable.  I feel like I knew them or had at least met someone like them once in my life…” [more]

Source: Audiobook: Taking On Water by David Rawding (Narrated by Curt Simmons) | Brian’s Book Blog

New Audiobook Release: Taking On Water by David Rawding

taking-on-water-audiobook

My audiobook production of David Rawding’s chilling psychological thriller, Taking On Water by David Rawding, was released on Audible, Amazon, and iTunes today.

Set in a small New Hampshire fishing town. When James Morrow, a social worker, first meets Kevin Flynn, he suspects the teen is being abused. To learn more about Kevin’s home life, he gets to know the boy’s father, Tucker, who’s a lobsterman. James is able to put his suspicions to rest, and the two families begin to form a friendship… [more]